Apr 17 2012: Two Illustrations Showing the Atom and its Nucleus from The Boys’ Book of Radio, Television and Radar (Burke, 1957)

Following yesterday’s sequence of advertising pages from Atomics Magazine (1956) these two images cut to the heart of what all that hardware was in pursuit of: the latent power of the atom itself and its nucleus, as expressed through Einstein’s E equals MC squared equation (surely one of very few equations to be known outside … Continue reading

Apr 15 2012: Eighteen Monochrome Illustrations From Atomics Magazine (Leonard Hill Technical Publications, 1956)

Back in 1956, the progressive vision of the Festival of Britain had faded somewhat, with most of the South Bank site demolished by the Conservative governments that followed the set up of the 1945 consensus, and in place of that more whimsical and social kind of progressive ideal, a harder, more technocratic and businesslike version … Continue reading

An Interview With Yelena Popova (Primary, 2013)

Yelena Popova is a Russian-born painter based in Nottingham, and the following interview took place at her studio at Primary in the winter of 2013. An abridged version appeared in LeftLion magazine in November 2013. This full transcript of the conversation is published here in advance of the opening of her exhibition After Image at … Continue reading

Feb 23 2012: Thirteen Abstract and Illustrated Dustjackets from Scientific Book Club Editions (1958 – 1962)

A large collection of these Scientific Book Club editions, dating from the later 1950s and early 1960s, appeared one Sunday morning at the Colwick car boot sale in Nottingham, and covered many more subjects than are represented here. The truth is, while the books were plentiful, some selection was necessary in order to carry those chosen … Continue reading

Enfants Terrible : How The First Wave of British Pop Art Got To Stick Around (NVA, 2012)

“Pop did not count ‘ephemeral’ as an insult. It was for the present, and even more for the future: it was not for the past, and saw nothing to regret in the changes which had come about in England since 1945…” [John Russell in Pop Art Redefined, Thames & Hudson, 1969] “Hockney’s range is maybe … Continue reading

June 3 2011: Never Endings: An Interview With Cornelia Parker (Metro, 2007)

Cornelia Parker: Never Endings Cornelia Parker is one of the UK’s leading artists, and her highly evocative brand of conceptual art spans sculpture, installation, photography, found objects and many unusual methods of transforming everyday materials. Books are shot, sheds exploded, toys cut in half and silverware steamrollered, while in her 1997 exhibition The Maybe her … Continue reading