Apr 22 2012: Four Hand-Painted Maps Of Socialist Czechoslovakia With Folklore Motifs (CSSR, 1957)

Appearing as endpapers in a 1957 pictorial publication showing early Communist Czechoslovakia these four maps offer a striking contrast – in tone and style, at least – to the photographs making up most of the book. The principle appears to be that the main map (seen above) is then separated into its component parts in … Continue reading

Mar 19 2012: Three Monochrome Photographs Featuring Minor Architectural Structures (Dates and Locations Unknown)

The thing that unites these three otherwise random photographs is that each, in its way, shows an architectural structure that would generally pass unnoticed as architecture: an architecture without architects, perhaps even a species of ‘outsider architecture’. The cinema here, for example, is not the kind of Deco construction that was as common for its … Continue reading

An Interview With Yelena Popova (Primary, 2013)

Yelena Popova is a Russian-born painter based in Nottingham, and the following interview took place at her studio at Primary in the winter of 2013. An abridged version appeared in LeftLion magazine in November 2013. This full transcript of the conversation is published here in advance of the opening of her exhibition After Image at … Continue reading

The Invisible Hand, Pupaphobia and the Puppet State (NVA 11, 2013)

“The puppet is what best represents the position of man in today’s manipulated world. The hand of a puppeteer is always the hand of one who ‘leads’, the hand of the Great Manipulator. The puppet’s immobile expression, its inability to mimic, does not allow it to communicate the subtle oscillations of the soul, but it … Continue reading

An A to Z of Artists Writing and Writers in Art (NVA, 2009)

A is for…Guillaume Apollinaire Guillaume Apollinaire was born in 1880 and died in 1918, but in his 38 years of life he packed in a great deal, consolidating the foundations of modernism as we know it in poetry, fiction and art with a stream of works including Zone, Calligrammes, Alcools and the stories and short … Continue reading

Towards A Post-War Aesthetic: The Design Research Unit and This Is Tomorrow (NVA, 2011)

“In other words, what is required as a preliminary to any practical solution of the division existing between art and industry is a clear understanding, not only of the processes of modern production, but also of the nature of art. Not until we have reduced the work of art to its essentials, stripped it of … Continue reading