Apr 25 2012: The Modernist Christ (Geraint Evans Sings in Llandaff Cathedral, Delyse Records, 1962)

I suppose this record sleeve, containing a 1962 recording of Welsh opera singer Geraint Evans performing in the imposing setting  of Llandaff Cathedral, might be seen to connect to yesterday’s post, in which the graphics of generic Soviet LP covers of a similar era were featured. While specifically designed for this one particular release, the … Continue reading

Apr 11 2012: Black Glass: Ten Glass Plate Negative Images of Architecture and Reversed Light (c.1930s)

Following on from yesterday’s gallery of domestic portraits, used as the raw material that eventually became the Black Glass sequence of poems, today’s gallery offers the unpopulated, architectural and urban landscapes of the later 1930s from the same collection of boxed glass-plate negative slides. Here, each image but one is developed twice – as both … Continue reading

Apr 10 2012: Black Glass: Fifteen Glass Plate Negative Portraits of Unknown People (Mainly 1940s)

Although not really recent finds, having been already used in early 2011 as the inspiration for a short sequence of poems on the loose subjects of cinema, memory and inverted perception, that earlier version didn’t include all the plates or subjects in the boxes as found. The figure above, with his Joycean round spectacles, pipe and … Continue reading

Apr 9 2012: Twenty-Five Monochrome Photographs and Illustrations from The Astronaut Book (Panther Books, 1969)

The final selection of images from Panther’s 1969 annual, The Astronauts’ Book, gathers the extraordinary array of monochrome illustrations contained between the glossy covers. Unaltered by the volume’s previous owner, there is material here that, as an inveterate reader of Space Race literature, I’d never seen before, and if one image conjures both the idealism … Continue reading

Mar 30 2012: Ghosts At Leisure: Thirteen Negative Prints Showing Everyday Scenes (c.1960s)

These images are printed negatives on small photographic cards, and they show various members of my own family, before I was born, in a terraced back yard with the two retired pit ponies my mother had as a young woman, and my father, mother, aunt, grandfather and grandmother on holiday in some unknown location, probably … Continue reading

Mar 19 2012: Three Monochrome Photographs Featuring Minor Architectural Structures (Dates and Locations Unknown)

The thing that unites these three otherwise random photographs is that each, in its way, shows an architectural structure that would generally pass unnoticed as architecture: an architecture without architects, perhaps even a species of ‘outsider architecture’. The cinema here, for example, is not the kind of Deco construction that was as common for its … Continue reading

Feb 9 2012: A Gallery of Twenty-Two Still Life Photographs from the Radford Reclaim Yard (2010)

After yesterday’s series of buildings, scattered around various bits of Europe I’ve happened to visit over the past five years or so, a more localised gallery of still lives from the Radford Reclaim Yard in Nottingham, taken during the Summer of 2010 or thereabouts. Under the rust and sense of accumulated historical junk is something poignant in objects … Continue reading

Feb 8 2012: A Gallery of Thirty-Six Architectural Photographs Covering a Range of Styles (2006 – 2011)

There’s no real thread connecting these thirty-six colour photographs other than the fact that they all come from folders on my computer, where they’ve been sitting since they were taken, and the fact that each depicts a building or quasi architectural structure of some kind that has caught my eye and seemed worth documenting for … Continue reading

Feb 2 2012: From Anthony Symondson to Mr Bulmer-Thomas on the Subject of Stained Glass (St Andrew’s, 16 March 1966)

Early last year, as part of the Bookmark Project at Nottingham Contemporary, I manufactured a fake letter from a fictional artist, Robert Holcombe, to a very real artist, Eduardo Paolozzi, and hoped that inserting this fabrication into a book in the study’s library would grant the object a certain authenticity, as though the correspondence had been used … Continue reading

Jan 24 2012: Fifteen Monochrome Snapshots from the Nottingham Jazz and Beat Scene (c.1960s)

All I know for sure about this series of images is that the photographs were framed when found (at the Sneinton Cattle market a week or so ago: one or two show fading where the mounts overlapped the images themselves) and all seem to have been part of a wider gathering of pictures relating to … Continue reading