Apr 25 2012: The Modernist Christ (Geraint Evans Sings in Llandaff Cathedral, Delyse Records, 1962)

I suppose this record sleeve, containing a 1962 recording of Welsh opera singer Geraint Evans performing in the imposing setting ¬†of Llandaff Cathedral, might be seen to connect to yesterday’s post, in which the graphics of generic Soviet LP covers of a similar era were featured. While specifically designed for this one particular release, the … Continue reading

Apr 19 2012: Painting Sunsets by Violet Parkhurst (Walter T Foster Publications, 1960s)

Although it’s something of a cliche to claim the general public neither understands nor likes conceptual art, or contemporary art that doesn’t show evidence of traditional skill, seeing such work as a species of charlatanry, I’m not sure the theory stands up when it’s examined in more detail. The guide to painting sunsets seen above … Continue reading

Apr 17 2012: Two Illustrations Showing the Atom and its Nucleus from The Boys’ Book of Radio, Television and Radar (Burke, 1957)

Following yesterday’s sequence of advertising pages from Atomics Magazine (1956) these two images cut to the heart of what all that hardware was in pursuit of: the latent power of the atom itself and its nucleus, as expressed through Einstein’s E equals MC squared equation (surely one of very few equations to be known outside … Continue reading

Apr 16 2012: Eight Kitsch Dream Images by Salvador Dali (Coronet Magazine, 1950)

Coronet magazine seems to have been, in format and approach, an attempt to imitate the success of Reader’s Digest. In among its pages of amusing anecdotes, abridged stories and other human interest material fairly typical of its time, however, are some intriguing advertisements and a definite curveball, given the journal’s otherwise rather conservative idiom, in … Continue reading

Apr 15 2012: Eighteen Monochrome Illustrations From Atomics Magazine (Leonard Hill Technical Publications, 1956)

Back in 1956, the progressive vision of the Festival of Britain had faded somewhat, with most of the South Bank site demolished by the Conservative governments that followed the set up of the 1945 consensus, and in place of that more whimsical and social kind of progressive ideal, a harder, more technocratic and businesslike version … Continue reading

Apr 11 2012: Black Glass: Ten Glass Plate Negative Images of Architecture and Reversed Light (c.1930s)

Following on from yesterday’s gallery of domestic portraits, used as the raw material that eventually became the Black Glass sequence of poems, today’s gallery offers the unpopulated, architectural and urban landscapes of the later 1930s from the same collection of boxed glass-plate negative slides. Here, each image but one is developed twice – as both … Continue reading

The Persistence of Coloured Mud, or the multiple and much exaggerated deaths of painting (NVA, 2012)

I: In debates about art, it often seems as though the only thing to be reported more regularly than the death of painting is its miraculous recovery and re-emergence from its latest grave. Despite the many technological, political and aesthetic challenges to its centrality and relevance, the expressive form once described by Robert Hughes as … Continue reading