Apr 25 2012: The Modernist Christ (Geraint Evans Sings in Llandaff Cathedral, Delyse Records, 1962)

I suppose this record sleeve, containing a 1962 recording of Welsh opera singer Geraint Evans performing in the imposing setting  of Llandaff Cathedral, might be seen to connect to yesterday’s post, in which the graphics of generic Soviet LP covers of a similar era were featured. While specifically designed for this one particular release, the … Continue reading

Apr 9 2012: Twenty-Five Monochrome Photographs and Illustrations from The Astronaut Book (Panther Books, 1969)

The final selection of images from Panther’s 1969 annual, The Astronauts’ Book, gathers the extraordinary array of monochrome illustrations contained between the glossy covers. Unaltered by the volume’s previous owner, there is material here that, as an inveterate reader of Space Race literature, I’d never seen before, and if one image conjures both the idealism … Continue reading

Apr 6 2012: Eight Monochrome Photographs Showing British Parades (1940s – 1950s)

I’m not sure if these images show scenes from one or more parades and occasions, though it’s clear that the photographs fall into three basic groups, the first showing a quasi military parade (possibly made up of amateur rather than real troops), the second a series of floats trying to raise money for charity, and … Continue reading

Mar 24 2012: Four Colour Illustrations Showing Circus Life By Edward Mortelmans (Girl Annual, 1958)

For the first of four galleries of images culled from two different editions of Girl Annual – dating from 1958 and 1961 respectively – it seemed appropriate to single out this particular sequence of colour illustrations looking at circus life for their intrinsic interest. There’s something in Edward Mortelmans’ paintigs that reminds me of similar fine … Continue reading

Mar 20 2012: Fourteen Monochrome Photographs Showing Men In A Variety Of Roles and Locations (1900s – 1970s)

Talking to someone who’s been following these posts recently led to a point being made that I’d only half-noted myself: that there were far more images of women gathered here than of men. In commercial and advertising photography, the reasons for that imbalance are well-rehearsed, insofar as commercial messages aimed at women tend to present … Continue reading

Mar 13 2012: Beyond The Suspension of Disbelief (Surface Gallery, Nottingham, March 2012)

Baldassare Castiglione, a diplomat at the Italian court of Urbino in the late 15th and early 16th century, began writing The Book of the Courtier around 1508, as a kind of aspirational lifestyle guide for those intent on making their fortunes and careers in the field he had succeeded in himself. When the book was published … Continue reading

An Interview With Yelena Popova (Primary, 2013)

Yelena Popova is a Russian-born painter based in Nottingham, and the following interview took place at her studio at Primary in the winter of 2013. An abridged version appeared in LeftLion magazine in November 2013. This full transcript of the conversation is published here in advance of the opening of her exhibition After Image at … Continue reading

The Invisible Hand, Pupaphobia and the Puppet State (NVA 11, 2013)

“The puppet is what best represents the position of man in today’s manipulated world. The hand of a puppeteer is always the hand of one who ‘leads’, the hand of the Great Manipulator. The puppet’s immobile expression, its inability to mimic, does not allow it to communicate the subtle oscillations of the soul, but it … Continue reading

Mark McGowan’s Where’s Daddy’s Pig? (Trade Gallery, 2013)

You could probably argue that there’s no real reason to visit Where’s Daddy’s Pig?, the Mark McGowan exhibition that’s been running at Trade Gallery since May, on the grounds that everything it contains is already part of his own ARTIST TAXI DRIVER YouTube channel, where McGowan regularly posts campaigning rants (and occasionally more subdued musings) … Continue reading

An Interview with The Soundcarriers (Full Transcript, 2010)

I spoke to Paul Isherwood and Adam Cann outside the Cafe Bar at Nottingham Contemporary in September 2010, just after the second Soundcarriers LP, Celeste, had been released. An edited version of the conversation appeared in LeftLion in December that year. Since then, they’ve released two further full-length albums – The Other World Of The … Continue reading